LO ASCOLTO SEMPRE SUL MIO MERAVIGLIOSO PIATTO !!!!!
[img width=400]http://img484.imageshack.us/img484/7321/montrosenj2.jpg[/img]

Questo disco dopo oltre 30 anni dall'uscita riesce ancora a farmi saltare.. momento primordiale e fondamentale per tutto quello che è accaduto negli anni a venire nel panorama Hard Rock targato USA questo album suona ancora da paura!





When I left the Edgar Winter Group, in early 1973, I came back to California and began looking for players to start my own outfit... I made lots of calls, went to lots of clubs, and put the word out. I get a call from this guy named Sammy Hagar saying he'd heard I was looking for a singer, and in his words said, "I'm your man!"... I went to see him in a cover band he was in at a club in San Francisco, and invited him out to my house the next day to go over songwriting... we hit it off, the energy was right, and that was that.

Sam had done a demo with Denny Carmassi, and highly recommended him as the right drummer. Right he was! I asked Denny to join the band during a break he was taking the first night I saw him in the club he was playing... we shook on it right then and there!

I had worked with Bill Church in Van Morrison's band, we were also camping and fishing buddies... I wanted to make sure we had the right bass player in Bill, and held auditions so that we'd all be convinced... Other auditioned players: Ross Valory (who later joined Journey), Pete Sears (who later joined Jefferson Starship), and others... no shortage of bass talent around town... We ultimately decided on Bill to play bass, and it was definitely the right one for the band at the time!

Our songwriting sessions were very intense, loud, and productive... (in between trips to "The Sultan's" BBQ in San Francisco)... Sam had a large book of lyrics... some songs, some choruses, and some simple phrases... It was very easy to "cut and paste" lyrics sometimes to cause a verse of one song and bridge of another, etc.to all fit together right... Denny and Bill were strong... Songs just flowed out like they're supposed to!

We rehearsed for a month or so, and I started calling around looking for management to help us out. We were faced with the same kind of rejections that many young bands have to learn to deal with... One management team actually said after hearing our songs like "Rock Candy," Rock the Nation," "Space Station # 5", etc., "Gee guys! We're really sorry! If this was 5 years ago, this music might work, but we just can't help you now!"

We of course took that as an affront and a challenge, and plowed ahead like any young dedicated band would!

After I'd been rehearsing with the guys for a month or so, I got a call from Edgar Winter's road manager telling me they had an emergency - "Frankenstein" was flying up the charts, and they had a few sold out Coliseum shows left and need me to play before they regrouped... I flew back and played the shows... during one meeting backstage with some of Edgar's record label guys, I informed them that I wasn't actually back in the band, and had my own band started in California... that put me and my new band in a great position... executives from two labels, (Epic and Warner Brothers) had seen me live and on fire with energy in Edgar's band... I listened to both labels, and ultimately went with Warner Brothers since I had worked with Ted Templeman on Van Morrison's records, and liked him and wanted him to produce the record with me. Also, it was simply logistically easier since we were California-based, as was WB. We flew down to cut a demo, four songs, and signed the deal! I still have the original demo disc with a song that never made it to the record!

Recording of the album actually only took a month or so, and mixing/mastering even less... one of my obversations about that was how simple the material was... uncluttered, easy to produce/record... We finished, the record went to print, and we began looking again for management...I went through a couple of managers in those times, and ultimately ended up with Bill Graham Management...

Our first sets of tours were wild and fun! Back in those days, many different types of groups often played on the same bill together, and the Stadium/Coliseum shows were still in full force - everyone went to shows! (Keep in mind, there was no MTV! Only radio and the beginnings of shows like "In Concert" and "Midnight Special.")

I have many stories about this record, and will add one or two soon... I know many readers have "technical questions" (guitars, equipment, etc...) and I'll try to implement a FAQ page for that!

. sono già alla Royal Albert Hall, London, UK il 3 di Ottobre per il "FUCK OFF BASTARD QUEEN TOUR" !!!
Worldwide, musicians and critics have dubbed Paul Rodgers "The Voice". With an international career boasting mega hits, awards and accolades, this platinum selling singer/songwriter & multi instrumentalist is a force. No other artist has led three bands to international success “FREE”, “BAD COMPANY” and “THE FIRM”, in addition to creating a successful Grammy nominated solo career. He is undeniably one of music’s’ most distinctive vocalists. He has written/recorded some of rock's greatest hits. "All Right Now", "Can't Get Enough", "Feel Like Making Love", "Rock n' Roll Fantasy", "Shooting Star", "Radioactive", "Satisfaction Guaranteed" ...
 
He has released 30 CD's and sold 25 million. 2004’s Movie 'Wonderland' starring Val Kilmer as well as 2000's Oscar Award Winning 'American Beauty' , Mike Meyers' 'Wayne's World', Tom Cruise's 'Top Gun' and T.V.'s  'South Park' and 'The Simpsons' have all included Rodgers' songs.
 
As a solo artist he has worked with Bruce Springsteen, Joe Walsh, Jeff Beck, Eric Clapton, Roger Daltry, Jimmy Page, Charlie Watts, Bryan Adams, Nils Lofgren, Queen, The Doobie Brothers, Buddy Guy, blues great Hubert Sumlin, Motown legends The  Four Tops & Sam Moore, to name a few.
 
Rodgers first shot up the international radio charts in 1970 with Free and rock anthem "All Right Now". A #1 hit in over 20 territories and recognized by ASCAP in 1990 for garnering one million plus radio plays in the US alone. At the time, Free and Led Zeppelin were the biggest grossing British acts. Free released four top five albums and were the leaders of the British blues rock invasion. Their unusual combination of blues, ballads and rock won them worldwide praise and an international following. The Multi Million Award was given to Paul Rodgers in the Fall of 2000 by the British Music Industry when "All Right Now" passed 2 Million plus radio plays in the UK.
 
Rodgers later formed super group Bad Company, writing and singing smash hits like Grammy nominated "Feel Like Making Love" and "Can't Get Enough", "Shooting Star", "Bad Company", Run With The Pack", the last two featuring Paul on piano as well as vocals plus "Rock n' Roll Fantasy" with Paul on guitar and vocals. "Bad Company took off", recalls Rodgers. "When we started our first US tour, the album was #99 on the charts. Two months later it hit #1." Bad Company earned six multi-platinum albums.
 
Early in 1984, Paul released his much anticipated first solo CD "Cut Loose". It showcased his quintessential talents as a singer, songwriter and multi-faceted musician. He composed all of the music, played all of the instruments and sang. Later in '84 it was his joint billing with Led Zeppelin guitarist Jimmy Page on the historic US ARMS tour (rock’s first charity fundraiser) including Jeff Beck, Joe Cocker and others, that led to forming the Firm with Page. Rodgers agreed to  two albums and two tours. Both Firm world tours were top grossing. “The Firm” and “Mean Business", the group’s two albums, also enjoyed international success producing the hits “Radioactive”, “Satisfaction Guaranteed” and “All The King’s Horses”. No surprise that Paul wrote “Radioactive” but not many know that he played the song's trademark guitar riff.
 
The Law, Rodgers' 1991 venture with former Who drummer Kenny Jones, produced the hit single “Laying Down The Law”. Written by Rodgers it hit #1 on Billboard’s AOR charts.

Sfondi una porta aperta con me sui Boston caro Antisocial (e so che lo fai senza sforzo alcuno .. ) , Mr. Tom Scholz è a mio RISPETTABILISSIMO ED INCOFUTABILE avviso un GENIO!!!!

Brad Delp è semplicemente IRRAGGIUNGIBILE!!!

a mio avviso il + grande di tutti!


qui in un solo al California Jam 1974




qui in un solo recente, dove ci mostra come riesce a rullare ad una sola mano!!!!!!!!!!!!!!!!!!!!!!